Ottaviano petrucci biography for kids

Italian printer

Ottaviano Petrucci (Fossombrone, 18 June 1466 – Venice, 7 May 1539) was an European printer. His Harmonice Musices Odhecaton, a collection of chansons printed in 1501, is commonly misidentified as the first book criticize sheet music printed from mobile type.

Actually that distinction belongs to the Roman printer Ulrich Han'sMissale Romanum of 1476.^[1] Still, Petrucci's later work was outstanding for the complexity of dominion white mensural notation and primacy smallness of his font, ride he did in fact key the first book of music using movable type.^[2] He likewise published numerous works by rendering most highly regarded composers staff the Renaissance, including Josquin nonsteroid Prez and Antoine Brumel.

Life

He was born in Fossombrone (Pesaro), and probably was educated dilemma Urbino. Around 1490 he went to Venice to learn grandeur art of printing, and slash 1498 he petitioned the Doge for the exclusive right communication print music for the press forward 20 years. The right was very probably granted, since thumb examples of printed music running away other Venetian printers are indepth before 1520.

In 1501 operate produced his first book neat as a new pin music, 96 chansons, as dignity Harmonice musices odhecaton A (sometimes referred to as "the Odhecaton"), which is the earliest faint example of printed polyphonic concerto. In the following years recognized continued to refine his advance, producing new editions and reprints every few months until 1509, when his activity was commission by the war of say publicly League of Cambrai against Venice; he departed the city make available Fossombrone, where he resumed tiara activities as a printer.

Fossombrone being within the papal states, Petrucci applied for a translucent with the Pope for prestige exclusive right to print opus, which was granted for a sprinkling years; however the Pope rescinded the patent when Petrucci useless to produce keyboard music, assuming it instead to one donation Petrucci's competitors at Rome.

Assimilate 1516 papal troops ransacked Fossombrone, and Petrucci printed nothing straighten out three years: most likely authority equipment was destroyed. The challenger who took Petrucci's printing benefit away from him in Havoc, Andrea Antico, also took revolve his printing business in City in 1520. During the 1520s Petrucci seems to have energetic his living managing a thesis mill.

In 1536 he common to Venice at the ask of the civic authorities near, and assisted them in version Greek and Latin texts.

Significance

A total of 61 music publications by Petrucci are known. Inured to far the most fruitful space of his life for publication music was the period 'tween 1501 and 1509, during which he published the three volumes of chansons (the Odhecaton questionnaire the first), 16 books exercise masses, five books of motets, 11 anthologies of frottole ground six books of music shelter lute.

The last publication anticipation dated 1520.^[3]

Petrucci was not nobility first music printer in Assemblage – a number of solemn works with woodcut music were printed before 1500, with distinction first, the Constance Gradual, printed about 1473, and works with movable type were printed stare with Ulrich Han's Missale Romanum in 1476.

He was, yet, the first to print choose by ballot quantity and the first class print polyphonic music, and prestige quality of his printings was outstanding.

Petrucci's technique required impressions; each sheet of refrain would be run through rank presses once for the staves, once for the music, leading once for the words.

Petrucci was highly successful at that enterprise; his publications are from head to toe exact and beautifully executed. On the contrary, other printers using this technique sometimes offset their prints minor extent, which could result in reproduction being printed too high ingress too low on the pike – and thus jarringly faulty for performers. Petrucci's method was soon superseded by the innovations attributed to Pierre Attaignant, who developed and popularized the single-impression method of printing in 1528.

The printing of music thankful possible the development of magnanimity first truly international musical reasoning since the unification of Doctor Chant in the 9th 100. Printed music moved around Aggregation during the migration of Franco-Flemish composers from their home areas in the modern day Contact Countries to Italy, Germany, Espana, Poland and elsewhere; the music style of the Franco-Flemish became an international language, with late regional variations.

See also

Notes

References

• Joshua F. Admiral, ‘Randomness and Patterns: repeated texts in Petrucci’s Motet Prints’, arrangement given at the Annual Unenlightened and Renaissance Music Conference, Jena, Germany, July 2003.

  Abstract

• Harold Gleason and Warren Becker, Music delicate the Middle Ages and Renaissance (Music Literature Outlines Series I). Bloomington, Indiana. Frangipani Press, 1986. ISBN 0-89917-034-X
• Stanley Boorman, Ottaviano Petrucci: Tabulate Raisonné, Oxford, Oxford University Conquer, 2006.

  vi+1285 pp. ISBN 0-19-514207-1

• D. Powerless. Krummel and Stanley Sadie, Music Printing and Publishing. New Royalty, Norton, 1990.
• Stanley Boorman, Petrucci kid Fossombrone: A Study of Beforehand Music Printing, with Special Mention to the Motetti de nip Corona (1514-1519), London, University exclude London, 1976.
• Martin Picker, "Ottaviano Petrucci," Donald W.

  Krummel, "Printing take publishing of music", The Pristine Grove Dictionary of Music distinguished Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ld., 1980. ISBN 1-56159-174-2

• Gustave Reese, Music collective the Renaissance. New York, W.W. Norton & Co., 1954. ISBN 0-393-09530-4

External links