Judith chazin bennahum biography channels

American historian

Judith Chazin-Bennahum (born 8 April 1937) is a choreography dancer, choreographer, dance historian, novelist, and educator. A leader advance the field of dance erudition, she spent her academic duration at the University of In mint condition Mexico, where she now holds the title of Distinguished Head of faculty Emerita of Dance.^[1]

Early life, tending, and training

Judith Helen Chazin, foaled in New York City, debilitated her childhood in Jamaica, Borough, where her father, Maurice Chazin, was chair of the Branch of Romance Languages at Borough College.

Her mother, Mary (Berry) Chazin, was a former high-school English teacher.^[2] She began kill dance training at age set alight, studying tap and ballet add-on a local teacher, and dash developed a passion for choreography. When she was ten, she persuaded her mother to oppression her into Manhattan and clash with her in classes at distinction Fokine Ballet School, in dignity upper-floor studios in Carnegie Entry-way.

There she studied with Not beat about the bush Lester and was observed attain interest by Vitale Fokine, secure of Michel Fokine and Vera Fokina. Both Lester and Fokine recommended that she audition rent entrance into the High Grammar of Performing Arts, which she did, successfully, when she was twelve years old.

There, Chazin studied ballet and modern glint with Lucas Hoving, Bella Malinka, Doris Rudko, Robert Joffrey, who was her principal ballet educator, and, in her senior period, Benjamin Harkarvy.

Selma Jeanne Cohen was her instructor in direct history. During her school duration, she and other students settled at various venues in Spanking York City, and in July 1953, when she was cardinal, she went to the Jacob's Pillow Dance Festival in Saint, Massachusetts, to dance with integrity Robert Joffrey Ballet Company throw in his Scaramouche and Umpateedle.

Like that which she finished high school, torment father insisted that she go slap into to college rather than down a career in dance. Prevail application, she received a filled scholarship to Brandeis University, effectively Boston, and spent the occupation four years there as calligraphic theater arts major, with implication emphasis on dance.

Upon respite graduation with a bachelor be fitting of arts degree, magna cum laude, in 1958, she determined sentinel make a career as fastidious dancer.^[3]

Dance career

Soon after she gradual from Brandeis in June 1958, Chazin auditioned for Agnes movement Mille and was hired rent the dancing ensemble of Goldilocks, a Broadway show starring Chief Ameche, Elaine Stritch, and Uranologist Nype.

Rehearsals began in July, and the show opened key 11 October 1958. For authority next few months, until Feb 1959, Chazin appeared in playful shows a week, dancing adjust seven lively dance scenes devised by de Mille to righteousness music of Leroy Anderson. Righteousness following summer she returned work to rule Jacob's Pillow as a colleague of the Pearl Lang Working out Theater, appearing in Lang's Persephone, with Lang in the designation role, Dirk Sanders as Courier, and Deborah Jowitt as Demeter.^[4] During her stint on Showbiz and in the months thenceforth, she continued to take choreography classes from Robert Joffrey, ambitious to join his company.

Small fry one of his classes, she met Nancy King, a participant of the Metropolitan Opera Choreography Company, who told her translate auditions then being held move away the opera house. Chazin oversupplied with an audition in the summertime of 1959 and was chartered as a member of ethics corps de ballet.

For say publicly next several years, Chazin danced in many operas on goodness Metropolitan stage and continued become known classes with Antony Tudor, Alfredo Corvino, and Margaret Craske jacket the Met's ballet school. Dynasty was then head of goodness school faculty; Corvino was choreography master of the company bit well as a teacher weightiness the school.

Both he pointer Craske were specialists in authority Cecchetti method of teaching. In the shade their tutelage, Chazin was before you know it appointed principal soloist and was given featured roles in go to regularly Met productions, dancing the ballets of various choreographers. Tudor's dances for Gluck's Alceste, Monteverdi's Orfeo, and Wagner's Tannhāuser were dish out favorites.

She was often partnered by such leading dancers on account of Thomas Andrew, Donald Mahler, Histrion Sayette, Ron Sequoio, and Vincent Warren, but she sometimes danced solo, as in Cilea's Adrianna Lecouvreur, choreographed by Alexandra Danilova.^[5]

During the summers, when the Fall down was dark, Chazin went beside New Mexico, to dance exclaim productions at the Santa Dismount Opera.

There she met Vera Zorina, who encouraged her persist at audition for George Balanchine, charming director of New York Know-how Ballet. Upon returning to Fresh York, Chazin danced for Choreographer and was invited to skirt his company. After she in motion working with him, in 1961, she began to experience go to the bottom problems, but she worked burn to the ground the pain and continued glint.

In the fall of 1961, right after the Berlin Screen was erected, she went take home Europe with the Santa Lapse Opera company and danced force stages in Berlin and Beograd. The following summer, in 1962, she returned once more in detail Jacob's Pillow with Thomas Apostle and Company and danced have as a feature his Invitations and Images case Five, with guest artists Nathalie Krassovska and Igor Youskevitch.^[6] Prep atop rejoining New York City Choreography that fall, however, she make higher that her foot problems difficult worsened, and she was incapable to go on the company's historic tour of Russia hem in October 1962.

She then reciprocal to the Met ballet convention, where choreographic requirements for pointe work were less demanding puzzle at New York City Choreography. Her next move was proffer Geneva, Switzerland, to be at hand her fiancé, David Bennahum, who was a medical student give. During her Swiss sojourn, rejoicing 1963, she took classes representing a short time with Valodia Skouratoff, a former Ballets Russes dancer, before returning to U.s.

with her new husband existing a new surname, hyphenated renovation Chazin-Bennahum.

Academic career

In New Dynasty City, Chazin-Bennahum pursued her curiosity in French literature at Town University but did not extract a degree. When her lock away, a physician, was ready package complete his training, they sure to move to New Mexico, where, as she has distinguished, "the sun shines and picture sky is blue."^[7] There, improve on the University of New Mexico in Albuquerque, she earned capital master's degree in French belleslettres in 1971 and a scholar degree in Romance languages eliminate 1981.

She had discovered position topic of her doctoral essay when her mentor, Selma Jeanne Cohen, referred her to Gallic dance historian Marie-Françoise Christout, who suggested that she focus impede ballet at the time a variety of the French Revolution (1789-1799). Straightfaced began a kind of fondness affair for her with saunter period of French history.

Turn down Ph.D. dissertation,"Livrets of Ballet submit Pantomime in Paris during integrity French Revolution," eventually formed significance core of her first notebook, Dance in the Shadow senior the Guillotine (1988).

Teaching trip university appointments

When a friend became head of dance in glory Department of Theatre and Trip the light fantastic toe at the University of Newborn Mexico, Chazin-Bennahum was asked belong teach ballet technique classes, run away with a dance history class, refuse then a number of conflicting seminars in dance.

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She further learned to teach French Baroqueness dance forms, 1650–1800, as she continued her interest in initially dance. She soon rose dismiss adjunct professor of dance collect full-time faculty membership, eventually institute courses in ballet repertoire, drain criticism, dance appreciation, performance impression, and introduction to graduate studies.

In dance history, she begeted courses at four levels: group studies in contemporary dance, drive, postmodern theory, and African-American romp in performance.

In 1987–1988, Chazin-Bennahum served as head of righteousness dance program in the Office of Theatre and Dance, unembellished post in which she served again in 1991–1993.

In 1993, she was promoted to congested professor of theater and glint, a title she bore while her retirement. In 1997, she was appointed associate dean endlessly the university's College of Acceptable Arts, serving ex officio renovation chair of the Undergraduate Itinerary Committee and as a participator of the Academic Freedom perch Tenure Committee for two provisions.

In 2002, she was fit chair of the Department perfect example Theatre and Dance, a way of walking she held until 2006, during the time that she retired from academic urbanity. In recognition of her tolerance to the university, a lore was established in her term, and she was granted dignity title of Distinguished Professor Emerita of Dance.^[8]

During the 1980s, Chazin-Bennahum worked as choreographer and look coach in local community theaters, including the Opera Studio additional the University of New Mexico and the SouthWest Ballet Group of pupils, directed by Edward Ambrose.

Newest 1998, she went to Italia to begin the first be more or less three full summer seasons (1998-2000) as choreographer in residence parcel up the Opera Academy of Brawl, where performances were given expansion the Basilica of San Clemente. In 2006, she organized remarkable produced a symposium in City on "Crosscurrents in the Aboriginal Arts," featuring the Dineh Tah Navajo Dancers, Ballet Folklórico turn México, the Bernalillo Matachines Advocate Company, and presentations by Carlo Bonfiglioli, Sylvia Rodriguez, and treat scholars.

At the national minimal, Chazin-Bennahum has served as representative evaluator of proposals for nobleness National Endowment for the Subject, the Fulbright Scholar Program, weather the Comparative and International Instruction Society. She has also served the Society of Dance Portrayal Scholars in various capacities: monkey president, as a member subtract the board of directors, chimpanzee chair of the editorial butt, and as program director signal an annual conference.

She has chaired the dance panel get into the New Mexico Endowment reserve the Arts and has served on the advisory boards be advantageous to Dance Chronicle, the foremost learned journal of dance history, ahead the Council of Researchers decompose Pedagogical Studies in Ballet (CORPS de Ballet) International, an structuring devoted to the development presentday advancement of ballet in enhanced education.

She has been cosmic active member of the Indweller Dance Guild, the American Country for Theater Research, the Consultation on Research in Dance, illustriousness Dance Critics Association, the Homeland of Dance Research in Author, and the Association Européenne nonsteroidal Historiens de la Danse fence in Paris.

In the course bear witness her academic career, Chazin-Bennahum has presented papers at many meetings of scholarly organizations and has delivered lectures at numerous institutions in North America, Europe, dispatch Asia.

Among American colleges stomach universities that have invited decline to lecture are Barnard Academy, Dartmouth College, Goucher College, Altruist University, the Juilliard School, significance North Carolina School of representation Arts, Ohio State University, Skidmore College, and Temple University. Bey the borders of the Coalesced States, she has lectured unbendable universities in Canada, England, Author, Hong Kong, Ireland, Israel, Mexico, and Norway.

Writing

Throughout her collegiate career, writing about dance hem in France occupied much of Chazin-Bennahum's time and attention. She plain-spoken not, however, abandon her sphere in and admiration for magnanimity ballets of Antony Tudor (1908-1987), her former teacher at honourableness Metropolitan Opera Ballet School.

Noteworthy was known as the "father of psychological ballet," and Chazin-Bennahum felt a special affinity mind his work. During a give back with him in New Dynasty, she expressed interest in print about his ballets. With monarch permission and his blessing, she applied for and received subsidy to study his works snowball choreographic approach.

Her research pigs London, Stockholm, Paris, Copenhagen, Christiania, and New York led command somebody to publication of her second tome, The Ballets of Antony Tudor: Studies in Psyche and Satire (1994). She subsequently devoted cook research and writing skills nip in the bud a study of French plan magazines and ballet costume infiltrate the period 1780–1830, to shipshape and bristol fashion reference book article on Nation dance theorist Jean-Georges Noverre, countryside to a book-length biography footnote René Blum, one of depiction founders of the Ballet Russe de Monte Carlo.^[9]

René Blum (1878-1942), born into a prosperous Individual family in Paris, was picture younger brother of Léon Blum (1872-1950), a lawyer, literary reviewer, and three-time prime minister help France.

He was a title-holder of the Croix de Guerre in World War I, enhancing a national hero, and adroit prominent littérateur on the Gallic cultural scene as well chimpanzee an influential theatrical impresario.

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In the early years own up World War II, in Dec 1941, he was among magnanimity first Jews arrested by influence French police. He was claustrophobic to concentration camps and was murdered by the Nazis scoff at Auschwitz in September 1942. Chazin-Bennahum's biography, René Blum and picture Ballets Russes de Monte Carlo: In Search of a Astray Life (2011), thus deals categorize only with the world fortify ballet but necessarily with position festering political situation in Aggregation in the 1930s and amplify wartime France.

Upon publication, array received favorable notices in righteousness French press as well slightly in the United States. Character Blum family was so appreciative with it that they wrote to the mayor of Town and requested that a organism be named in his go halves, like those that are christian name for his elder brother. Their request was granted in 2014.

Accordingly, a street near whither he lived will, in Sep 2015, be officially designated herb René-Blum.^[10]

Written works

Chazin-Bennahum has published literate works in both print roost digital media, including six books and numerous articles, essays, pole reviews.^[11]

Books

• Dance in the Shadow scope the Guillotine. Carbondale: Southern Algonquian University Press, 1988.

  With elegant foreword by Selma Jeanne Cohen.

• The Ballets of Antony Tudor: Studies in Psyche and Satire. Pristine York: Oxford University Press, 1994. Winner of the 1994 Offshoot la Torre Bueno Prize, awarded by the Dance Perspectives Pillar for the best book meet dance studies.
• The Living Dance: Upshot Anthology of Essays on Move and Culture. Edited by Heroine Chazin-Bennahum.

  Dubuque, Iowa: Kendall Be a consequence, 2008.

• The Lure of Perfection: Nobleness Culture of Fashion and Choreography, 1780-1830. New York and London: Routledge, 2004.
• Teaching Dance Studies. Butt in a cleave by Judith Chazin-Bennahum. New Royalty and London: Routledge, 2005.
• René Blum and the Ballets Russes: Make out Search of a Lost Life. New York: Oxford University Tamp, 2011.

Selected articles, essays, and reviews

• Review of The Ballet of say publicly Enlightenment: The Establishment of probity Ballet d'Action in France, 1770-1798 (1996) by Ivor Guest.

  Dance Research Journal 30.1 (Spring 1998), 73–76.

• "Jardin aux Lilas," program paragraph for Antony Tudor's ballet show up by Ballet du Théâtre shelter Capitole, Toulouse, France, 1998/99 bout. Translated and reprinted as "Lilac Garden," program text for Pristine National Theater Ballet, Tokyo, 2000/01 season.
• Summary essay on research: Orphée aux Enfers (1931), for Well-liked Balanchine, a project of authority George Balanchine Foundation; dossier submitted in 2001 and deposited border line the Jerome Robbins Dance Partitionment of the New York Disclose Library for the Performing Field in 2005.

  See Popular Balanchine: Guide to the Dossiers, guard http://balanchine.org/balanchine/03/pc^{[permanent dead link‍]}.

• "A Longing provision Perfection: Neoclassic Ballet and Fashion." Fashion Theory: The Journal be in possession of Dress, Body & Culture (Fall 2002). London: Bloomsbury.

  Reprinted respect Rethinking Dance History: A Reader, edited by Alexandra Carter (New York and London: Routledge, 2004).

• "Jean-Georges Noverre: Dance and Reform," tabled Kant, Marion, ed. (2007). The Cambridge Companion to Ballet. Metropolis Companions to Music. Cambridge enthralled New York: Cambridge University Prise open.

  ISBN .

• "A Tribute to Ivor Guest: Most Revered Dance Historian," constrict Proceedings of the thirtieth yearlong conference of the Society honor Dance History Scholars, "Re-Thinking Use and Theory," Centre National support la Danse, Paris, 21–24 June 2007.
• "Celebrating the Legacy of Antonius Tudor," in Proceedings of justness thirty-first annual conference of description Society of Dance History Scholars, "Looking Back / Moving Forward," Skidmore College, Saratoga Springs, N.Y., 12–15 June 2008.
• "Unmasking the Body: From Lully to the Revolution." Dance Chronicle 33.2 (2010).

  Argument of Musique et geste hardship France de Lully à deject Révolution: Études sur la musique, le théâtre et la danse, edited by Jacqueline Waeber, Publications de la Société Suisse hew Musicologie (Bern, CH: Peter Teach, 2009).

• "Beyond Ballet in the Choreography d'Action." Dance Chronicle 35.3 (2012).

  Review of Mime, Music champion Drama on the Eighteenth-Century Stage: The Ballet d'Action, by Prince Nye (Cambridge and New York: Cambridge University Press, 2011).

• "La Résurrection des Ballets Russes." Ballroom Revue, no. 3 (Paris, 2014), pp. 66–68.
• "The Perilous Prelude to Ida Rubenstein's Perséphone." Dance Chronicle 38.1 (2015) 92–98.

  Review of Modernist Mysteries: Persephone, by Tamara Levitz (New York: Oxford University Press, 2012).

Choreographic works

• 1977: Dances for The Taming of the Shrew, set without more ado traditional Renaissance tunes; Rodey Histrionic arts, University of New Mexico; title-holder of award for best choreographer of a university production
• 1982: Psyché, music by Jean-Joseph Rodolphe la-di-da orlah-di-dah on period instruments; a diversion of choreography by Jean-Georges Noverre for Psyché et l'Amour (1762); Rodey Theatre, University of Pristine Mexico
• 1982: Fêtes Galantes, music bid various Baroque composers, played cheer on period instruments; Rodey Theatre, Code of practice of New Mexico
• 1982: Before Irrational Depart, music by Daniel Davis; SouthWest Ballet, Rodey Theatre, Sanitarium of New Mexico; a choreography based on the children footnote Theresienstadt concentration camp; broadcast direct 1986 on New Mexico PBS, KNME-TV
• 1986: The Marriage of Figaro, music by Wolfgang Amadeus Mozart; Popejoy Hall, University of Pristine Mexico; awarded National Opera Reaper prize for best university work production in the United States
• 1995: Marat/Sade, music by Richard Peaslee; Rodey Theatre, University of In mint condition Mexico; received Bravo Prize divulge best production in Albuquerque
• 1995: The Marriage of Figaro, music bypass Wolfgang Amadeus Mozart; Santa Self-assured Opera
• 1995: The Blond Eckbert, paperback and music by Judith Weir; Santa Fe Opera
• 1997: Dark Elegies, music by Gustav Mahler; exceptional recreation of 1937 choreography overtake Antony Tudor, directed by Donald Mahler; Rodey Theatre, University get on to New Mexico
• 1998: Le Nozze di Figaro, music by Wolfgang Amadeus Mozart; International Opera Academy invoke Rome, Basilica di San Clemente al Laterano, Rome
• 1999: Don Giovanni, music by Wolfgang Amadeus Mozart; International Opera Academy of Riot, Basilica di San Clemente unfettered Laterano, Rome
• 2000: Medea, music timorous Jean-Joseph Rodophe; a recreation goods choreography by Jean-Georges Noverre be selected for Jason et Médée (1763); Rodey Theatre, University of New Mexico.

  Recorded and issued on DVD (64 minutes, color) by Glister Horizons, Hightstown, N.J.. Includes goodness dance documentary Recreating Medea coarse Mariel McEwan.^[12]

• 2000: Falstaff, music wishy-washy Giuseppe Verdi; International Opera College of Rome, Basilica di San Clemente al Laterano, Rome
• 2001: La Valse Infernale, music by Maurice Ravel; Rodey Theatre, University vacation New Mexico
• 2003: The Marriage bring into play Figaro, music by Wolfgang Amadeus Mozart, Rodey Theatre, University goods New Mexico
• 2004: Love Songs, sonata by Johannes Brahms; Rodey Auditorium, University of New Mexico
• 2008: Eugene Onegin, music by Pyotr Ilych Tchaikovsky; Opera Studio, University deal in New Mexico
• 2008: Dances for Goodnight Desdemona (Good Morning Juliet), backdrop to traditional Elizabethan tunes; Spin Theater, Albuquerque; a 1988 comedic play by Ann-Marie MacDonald
• 2010: Le Convenienze ed Inconvenienze Teatrali, tune euphony by Gaetano Donizetti; Opera Cottage, University of New Mexico
• 2012: Dances for Pride and Prejudice, drive you mad to traditional eighteenth-century English tunes; Adobe Theater, Albuquerque; a 1935 play by Helen Jerome, family unit on Jane Austen's famous 1813 novel
• 2014: Dances for Dancing tear Lughnasa, set to traditional Country tunes; Adobe Theater, Albuquerque; spick 1990 play by dramatist Brian Friel

Personal life

Judith Chazin married King Alexander Bennahum, a medical medical practitioner, in Paris in 1963.

Homophile King Zeckendorf was her peeress of honor. After the opening of two daughters, Ninotchka be first Rachel, Chazin-Bennahum and her kinsmen moved to Albuquerque, New Mexico, where her husband finished realm medical training and where their third child, Aaron, was by birth. The family has been homegrown in Albuquerque ever since.

She is known to her cast as Gigi, which suits dead heat effervescent personality. David Bennahum progression a poet and historian chimpanzee well as a physician. Ninotchka Devorah Bennahum has followed stop in midsentence her mother's scholarly footsteps near has become a well-known flow historian of flamenco and romany culture in western Europe.

References